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Design Concept:
Encapsulating some of the most significant and powerful motifs in the history of Chinese art, this standalone piece from the collection “Buoyed by Spring Light” is perfuse with fengshui symbolism and aesthetic balance. The design features a divine tianlu as its central focal point. The mythical creature stands poised with confidence and charisma, upholding the many elements of both heaven and earth in its energy. The design embodies the classic motif of the four cardinal compass directions and eight dimensions of the earth—an acknowledgement of one’s presence in the universe. Together, with the ethereal energy of the tianlu, this masterful crystal work incites confidence and a faith in the universe—in an ultimate harmony with the four seasons.
设计概念:
天禄，古代瑞兽，与麒麟、辟邪并称为古代祭祀「三大神兽」。天禄似鹿而长尾，可攘除灾难，永安百禄。
风水上，天禄用以招财。
天禄之名，源自「天命」与「禄位」，富含「爵禄「之意，被认为永绥百禄，财运亨通，是招财禄瑞兽，亦合适摆放在单位，寓意升职加薪。
风水上，天禄用以镇宅。
宋朝沉括《梦溪笔谈 · 异事》记载：「至和中，交趾献麟，如牛而大，通身皆大鳞，首有一角。考之记传，与麟不类，当时有谓之山犀者，然犀不言有鳞……今以予观之，殆天禄也。」从上面这些记载可以得出，天禄主要是用来祈护辟邪的，并在建筑是最常见的。因此现代很多人喜欢天禄用以避邪，认为这样可以祓除不祥，永绥百禄，是寄託了古代汉族人民一种辟邪除灾、迎祥纳福的美好愿望。
天禄底座以八卦的卦象进行简洁的图纹设计，有镇八方、威四海，天下平安吉祥之意。
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